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steve forbert – oh, to be back with you lyrics

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dm (with variations shown at end of the song ) g am

dm g am
in the shadow of the old north church i courted her
dm g am
while the pigeons and the gargoyles perched she sang
dm g am
is there anyone who’s seen those eyes dismissing her ?
dm g am
is there anyone who’s lips she’s kissed complained?

chorus:
dm7 f g c c/b am
seven months and seven wonders, seven roads of rain and thunder
dm7 f g c c/b am
seven hills of lamplight gleaming, seven turns toward where you’re
dreaming
dm g am
oh, to be back with you

dm g am
on a mission of the crossroad palms, simplicity
dm g am
could function as a fine first prize for pain
dm g am
but picking up the breadcrumb clues efficienctly
dm g am
will light me up a new days dawn, but strange

(chorus)
dm g am
in the shadow of the old north church i courted her
dm g am
in the clanging of the cast iron bell, her face
dm g am
while the shadows of the hilltop shop distorted her
dm g am
i tumbled on my pride, pitfall from grace

(chorus)
dm7 f g c c/b am
lots of time to think it over, lots of pain to claim and shoulder
dm7 f g
i was wrong, i don’t deny it
c c/b am
please forgive me, would you try it
dm g am
oh, to be back with you
dm g am
oh, to be back with you

the dm at the beginning, as well as throughout the song can be
supplemented by changing the note played on the 6th (highest ) string.
that is:

dm g dm7 ( so you don’t have to look it up)

__1__1__3__1__0__3____________1_________________
__3__3__3__3__3__0____________1_________________
__2__2__2__2__2__0____________2_________________
_________________0____________0_________________
_________________2_____________________________
_________________3_____________________________

lyrics supplied by mike berry.

alternative version (supplied by “moonman”):

capo on 3rd fret…

intro:

[em] [a] [d] walk down to [bm] <~~~ play twice [em] [a] [bm] in the [em]shadow of the old norh [a]church i [bm]courted her, while the [em]pigeons and the gargoyles [a]perched she [bm]sang. is [em]there anyone who's seen those [a]eyes [bm]dismissing her? is there [em]anyone whose lips she's [a]kissed [bm]complained? chorus: (play like intro) [em]seven months and [a]seven wonders, [d]seven roads of the [bm]rain and thunder, [em]seven hills of [a]lamplight gleaming, [d]seven turns towards where you're [bm]dreaming, [em]oh, [a]to be back with [bm]you. [em]on a mission of the crossroad [a]palms [bm]simplicity [em]could function as a fine first [a]prize for [bm]pain, [em]but picking up the bread crumb [a]clues [bm]effeciently [em]will light me up a new day's [a]dawn, but [bm]strange. {chorus} [em]in the shadow of the old north [a]church i [bm]courted her, [em]in the clanging of the cast iron [a]bells, her [bm]face; [em]while windows of the hilltop [a]shop [bm]distorted her, i [em]tumbled on my pride [a]pitfall from [bm]grace. [em]seven months and [a]seven wonders, [d]seven roads of [bm]rain and thunder, [em]seven hills of [a]lamplight gleaming, [d]seven turns towards [bm]where you're dreaming, [em]lots of time to [a]think it over, [d]lots of blame to [bm]claim and shoulder, [em]i was wrong, i [a]don't deny it, [d]please forgive me, [bm]would you try it? [em]oh, [a]to be back with [bm]you, [em]oh, [a]to be back with [bm]you.



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