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ani difranco - righteous retreat cancelled lyrics

i have heard you: all who have voiced opposition to my conducting a writing and performing seminar at the nottoway plantation. i have decided to cancel the retreat

when i agreed to do a retreat (with a promoter who has organized such things before with other artists and who approached me about being the next curator/host/teacher), i did not know the exact location it was to be held. i knew only that it would be “not too far outside of new orleans” so that i could potentially come home to my own bed each night. and i knew that one of the days of the retreat was slated as a field trip wherein everyone would come to new orleans together. later, when i found out it was to be held at a resort on a former plantation, i thought to myself, “whoa”, but i did not imagine or understand that the setting of a plantation would trigger such collective outrage or result in so much high velocity bitterness. i imagined instead that the setting would become a partic-p-nt in the event. this was doubtless to be a gathering of progressive and engaged people, so i imagined a dialogue would emerge organically over the four days about the issue of where we were. i have heard the feedback that it is not my place to go to former plantations and initiate such a dialogue

tragedies on a m-ssive scale are not easily dealt with or recovered from. i certainly in no way expect or want to be immune from that pain or that process of recovery. i welcome (and in fact have always pursued) constructive dialogue about these and all political/social issues. my intention of going ahead with the conference at the nottoway plantation was not to be a part of a great forgetting but its opposite. i know that pain is stored in places where great social ills have occurred. i believe that people must go to those places with awareness and with comp-ssionate energy and meditate on what has happened and absorb some of the reverberating pain with their attention and their awareness. i believe that comp-ssionate energy is transformative and necessary for healing the wounds of history. i believe that even though i am white, i can and must do this work too. if you disagree, i respectfully understand where you’re coming from and your right to disagree. i am not unaware of the mechanism of white privilege or the fact that i need to listen more than talk when it comes to issues of race. if nottoway is simply not an acceptable place for me to go and try to do my work in the eyes of many, then let me just concede before more divisive words are spilled. i obviously underestimated the power of an evocatively symbolic place to trigger collective and individual pain. i believe that your energy and your questioning are needed in this world. i know that the pain of slavery is real and runs very deep and wide. however, in this incident i think is very unfortunate what many have chosen to do with that pain. i cancel the retreat now because i wish to restore peace and respectful discourse between people as quickly as possible. i entreat you to refocus your concerns and comments on this matter with positive energy and allow us now to work together towards common ground and healing

for myself, i believe that one cannot draw a line around the nottoway plantation and say “racism reached its depths of wrongness here” and then point to the other side of that line and say “but not here”. i know that any building built before 1860 in the south and many after, were built on the backs of slaves. i know that in new orleans, the city i live in, most buildings have slave quarters out back, and to not use any buildings that speak to our country’s history of slavery would necessitate moving far far away. i know that indeed our whole country has had a history of invasion, oppression and exploitation as part of its very fabric of power and wealth. i know that each of us is sitting right now in a building located on stolen land. stolen from the original people of this continent who suffered genocide at the hands of european colonists. i know that many of us can look down right now and see shoes and clothes that were manufactured by modern day indentured servants in sweat shops. i know that micro profits from purchases that we make all day long are trickling down to monsanto, to nestle and to ge. i know that a sickeningly large percentage of the taxes we pay go to manufacturing weapons and to making war. and on and on and on. it is a very imperfect world we live in and i, like everyone else, am just trying to do my best to negotiate it

as to the matter of the current owner of the resort and his political leanings, that was brought to my attention yesterday and it does disturb me. but it also begs further questions: who are all the owners of all the venues i or any other musician play? the performing arts centers? the theaters? the night clubs? i bet there are a lot of rich white dudes with conservative political leanings on the list. is it possible to separate the positive from the negative people in this world? will those lines be clear and discernible with enough research? is it my job to do this for every gig? is it possible to ensure that no ‘bad’ person will ever profit in any way from my existence or my work? again, maybe we should indeed have drawn a line in this case and said nottoway plantation is not a good place to go; maybe we should have vetted the place more thoroughly. but should hatred be spit at me over that mistake?

i believe that we need every ounce of energy that we have to try to create a positive change in this world. and to work together. that energy is precious

my focus for the righteous retreat was on creating an enriching experience that celebrated a diversity of voice and spirit. i invited my friends buddy wakefield, toshi reagon and hamell on trial to impart their particular brands of spirit and wisdom to the conference attendees. i also planned to take the whole group on a field trip to roots of music, a free music school for underprivileged kids in new orleans. roots of music is located at the cabildo, a building in the french quarter which was the seat of the former slaveholder government where all the laws of the slave state were first written and enacted. i believe that the existence of roots of music in this building is transcendent and it would have been a very inspiring place to visit. i also believe that roots could have gained a few new supporters. in short, i think many positive and life-affirming connections would have been made at this conference, in its all of its complexity of design

i do not wish to reinvent the righteous retreat at this point to eliminate the stay at the nottoway plantation. at this point i wish only to cancel

i ask only that as we attempt to continue to confront our country’s history together, let us not forget that the history of slavery and exploitation is at the foundation of much of our infrastructure in this country, not just at old plantation sites. let us not oversimplify to black and white a society that contains many many shades of grey. and let us not forget to be comp-ssionate towards each other as we attempt to move forward and write the next pages in our history. our story is not over and, citizens of the internet, it is now ours to write

-ani

- ani difranco lyrics

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