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ban-go, jicco sayan & shandilya banarjee - polarity lyrics

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[intro]
shandilya : “amar mone hoy je m+n+sh by default oporadhi hoy, but kichu bhalo kaj shey kore day, but that is pure coincidence”
jiccosayan : “umm, taa kintu noy, karon m+n+sh by default kintu bhaloi hoy, but kichu dosh toh shey kore felei, because nothing is perfect.”

[hook]
kaath dhulo baali, raakh shunor baati, haat gulo bhari, aapluto baari bindu
ghamer roop’e pore jokhon raat gulo jaagi, paap gulo kaati, shaat khun’o maafi, khun’er rokte bhore shindu
kaath dhulo baali, raakh shunor baati, haat gulo bhari, aapluto baari bindu
ghamer roop’e pore jokhon raat gulo jaagi, paap gulo kaati, shaat khun’o maafi, khun’er rokte bhore shindu

[verse 1]
ninduk ami nijei nijer’i sorboda kori dhikkaar hoyna shikkha, taai asroy ni mittha’r, janina pabo kobe ei paap’er bojha theke nistaar;
dile bistaar, ja ja dosh ache tola khuje paowa jabena purono paap’er list ta’r
koto secrеts, koto regrets, nijekе kore jai jiggesh, kano deep stress kore repress, matha’r shira gulo?
ami sleepless koto raat dhore, ami depressed; mrityu’ta porikkha, life ta pre+test, kano bujhte koredi bhul konta strength ar konta weakness;
ami jibone confused, kh0m+ta unused, shesh holo mash gulo bhaari, faaltu mon bhaari khaak juto’r bari, first shuto theke last chhuto kati, haath mutho raakhi; chnaad upokari jokhon raat gulo khaati

[hook]
kaath dhulo baali, raakh shunor baati, haat gulo bhari, aapluto baari bindu
ghamer roop’e pore jokhon raat gulo jaagi, paap gulo kaati, shaat khun’o maafi, khun’er rokte bhore shindu
kaath dhulo baali, raakh shunor baati, haat gulo bhari, aapluto baari bindu
ghamer roop’e pore jokhon raat gulo jaagi, paap gulo kaati, shaat khun’o maafi, khun’er rokte bhore shindu

[verse 2]
agathokakologicality, disparity, some vanity, profanity, polarity, morality, more adding in, somatic ink goes fanatic, you’re battling, you had it in, sporadic being up fathoming the mind i’m in
jibon’er byapar ta connective, 180, unethical kintu ethics is relative, effective only to frame of the reference, game of the preference, starting varies kintu end shoja effloresce, rastay ba 10th floor’e
ekta jinish shudhu constant; okaal’e mrityu lekha ache shobar kopal’e
[outro]
shandilya : “tobe na, ekhon amar mone hochhe je m+n+sh bhalo’u noy, kharap o noy, human beings are neutral”
jiccosayan : “dekh, sheta taa’r nijer shiddhanto je she kharap hobe na bhalo hobe ”
shandilya : “shetao theek, kintu kono m+n+sh ki puro bhaabe, like akdom perfctly bhaalo ba kharap hoyna?
jiccosayan : “agei bolechilam, nothing is perfect”

[hook]
kaath dhulo baali, raakh shunor baati, haat gulo bhari, aapluto baari bindu
ghamer roop’e pore jokhon raat gulo jaagi, paap gulo kaati, shaat khun’o maafi, khun’er rokte bhore shindu
kaath dhulo baali, raakh shunor baati, haat gulo bhari, aapluto baari bindu
ghamer roop’e pore jokhon raat gulo jaagi, paap gulo kaati, shaat khun’o maafi, khun’er rokte bhore shindu



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