
e-a-ski - listen to the hit lyrics
[verse 1]
how can you figure that the ski would take her downfall?
motherf+ckers been standin’ waitin’ for a n+gga, y’all
but i never stay low or got fed up
address my issues to motherf+ckers i wanted to shut up, huh
my image against the grain to ’cause a n+gga pain
suckers been watchin’ what i’m doin’
then they change they game plan
tryna come up like the man
copy what i’m doin’ but i can ruin you
you’re f+ckin’ with a n+gga that can go the round
once you hear the ski and cmt, you better back down
i’ll be d+mned if i lack lyrical
and i’ll be d+mned if i lack musical
it’s the ‘9+2, n+gga, so don’t f+ck with me
and if you do, i got a h+lla lotta company
i be like jackin’ motherf+ckers ’cause they can’t rap
watchin’ the industry fall ’cause of that type of cr+p
i’m not the one to make the jam and can’t flow to it
but i see a lot of motherf+ckers doin’ it
so gimme a break and drop the mic until you make it fit
and in the meanwhile, listen to the motherf+ckin’ hit
[chorus]
listen to the hit (“listen to the hit”)
listen to the hit (“listen to the hit”)
listen to the hit (“listen to the hit, hit, hit”)
(“the—, the hit, the—, the—, the hit
the—, the hit, the—, the—, the hit
the—, the hit, the—, the—, the hit
the—, the—, the hit, hit, hit”)
[verse 2]
every time i look and walk into a record store
i see tapes that don’t even make it out the door
it never sells ’cause the sh+t be the same thing
another motherf+cker tryna be in the rap game
talkin’ about he did this and he did that
and everybody and they mama got a f+ckin’ gat
i be like sayin’ to myself, “ain’t this a b+tch?”
can these motherf+ckers switch? (“no”) sh+t
it’s okay sometimes but give it a little rest
try somethin’ new, put yourself to the test
when that style gets played out, you’ll be faded out
and all i can say, you play yourself out
motherf+ckers better start risin’ up, g
the industry is corrupted by phony mc’s
takin’ our rap sound away from us
and motherf+ckers wanna know why i always cuss
’cause this sh+t’s gettin’ hectic, i gotta protect it
before the other man disrespects it
you don’t hear me, though, you think i’m bullsh+ttin’
watch in a minute or so, we be out the door
commercial artists is takin’ over everything
have you noticed, huh, they don’t even be sayin’ nothin’?
so i’ma take this rhyme and make it fit
come legit and make motherf+ckers listen to the hit
[chorus]
(“lis—, lis—, listen to the hit”) listen to the hit
(“lis—, lis—, listen to the hit”) listen to the hit
(“lis—, lis—, listen to the hit”) listen to the hit
(“li—, listen to the hit, hit, hit”) the motherf+ckin’ hit
(“lis—, lis—, listen to the hit”)
(“lis—, lis—, listen to the hit”)
(“lis—, lis—, listen to the hit”)
(“the—, the hit, hit, hit, hit”)
[verse 3]
if i was talking ’bout dank i’d get h+lla respect
but since i don’t, motherf+ckers always try to flex
why would i talk about somethin’ that would k!ll a n+gga?
i might as well get the 9 and squeeze the gun trigger
and shoot myself in the f+ckin’ head
dank, crack, suicide eventually a n+gga be dead
i don’t f+ck around nor do i perpetrate
but suckers never learn until it’s a little too late
they say i step on toes and quick to bust a n+gga’s nose
that’s why i never have foes, b+tch (“b+tch”)
i tell it like it is and keep a sucker thinking and wishing
how the h+ll this motherf+cker get in the competition?
well, it’s easy, a n+gga gotta be true to the game
most marks be weak so they fall deep
the n+gga ski make the jams n+ggas are scared to make
and come funky with the compact discs and tape
so gimme a break and listen to the real sh+t
i ain’t in your clique, suck my d+ck and slam my hit
i’m never fake, i come real and make the n+gga say
the motherf+ckin’ n+gga named ski don’t play
[chorus]
(“li—, listen to the hit”) listen to the hit
(“listen to the hit”) listen to the hit
(“listen to the hit”) the motherf+ckin’ hit
(“the—, the hit, the hit, hit, hit”) yeah, listen to the hit
(“lis—, lis—, listen to the hit”) the godd+mn hit
(“lis—, lis—, listen to the hit”) the motherf+ckin’ hit, yeah
(“listen to the hit”) listen to the hit
(“the—, the hit, the—, the—, the hit”) and i’m out, b+tch (“b+tch”)
[outro]
(“listen to the hit”)
(“listen to the hit”)
(“li—, li—, li—, listen to the hit”)
(“li—, li—, listen to the hit, hit, hit”)
(“li—, listen to the hit”)
(“listen to the hit, hit, hit”)
(“li—, li—, li—, listen to the hit, the hit, the hit, the—, the—, the hit”)
(“the—, the hit, the—, the—, the hit”)
(“the—, the hit, the—, the—, the hit”)
(“the—, the hit, the—, the—, the hit”)
(“the—, the—, the—”)
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