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talib kweli - outside the lounge lyrics

[lilscienz]
yo, freestyles, reside to the e-ventually
you might see me, kick the spree
get the tape in the benzi box
up in club spots
on a regular base
anytime and place
what? like janet, i slam kids
harder than sha-quille o’neal down to the m-sses
i take crews back to, um, hiphop cl-sses
because they didn’t surp-ss this
we reside actually, acrobatically, yo…
[???]
came and burn me if you spit words in flame from your
brain
(what?) rugged terrain, style insane, you’s the lame
(huh) freestyle or written strictly sh-ttin on emcees
drop these, mad degrees on emcees
everyday, everynight
you fight for the mic, but you can’t handle it
i dismantle it, bust you in your head with it
you know you can’t spit it like i spit it
yeah you sh-t it in the toilet bowl
you know i got nuff soul
y’all control the core cipher
you know we drop this, and got emcees following like
the pied piper
you know we hyper, so…
[wiseguy]
yo, yo, yo; can i get a chance to drop in the cipher?
set the sh-t on fire
yo why the, beats stop?
i don’t know the beat-box is coming in
got you counting from on to ten
and by the time you get up to nine, your -ss is left
behind
cause you can’t mess with the lyrical master rhymes
send n-gg-z to p-ss the time, coming off the mind or
the brain
can’t maintain i’m type strange
and ill, in the mind of wiseguy, that’s right
i’m the baddest on the mic, i’m average height
got a huge appet-te, sorda like iron mike
cept i don’t bite, i just fight, with raps all right
use the left and the right, recite styles is hype off
the top
pardon me but stop the beat-box
cause yo i got beats son
(aw word?) (aight) my bad, i didn’t mean to kill that
sh-t.(that’s alright,
man, y’know what’m sayin?)
[talib kweli]
the beats is always love, y’know what’m sayin?
n-gg-z always show love with the beats.
(my little yellow box, always come in handy) y’know
what’m sayin?
yo, this is like a whack emcees nightmare, y’know
what’m sayin?
thats why i’m right here, y’know what’m sayin?
-beat comes in-
yo, yo, yo, yo, yo; my name is kweli, from the
eternally
reflection, spruce to the tree, bruce to the lee
-aside- yo, w-ssup y’all, w-ssup y’all, im doin this
i love the rush that i get seein a whack emcee’s bottom
lip quiver
he know he gettin smacked for every whack rhyme he
deliver
whether in allies or back streets, or the stairwell to
fat beats
i come off like the ink that be staining my hands in
rap sheets
with lyrics stronger than samson, to send marilyn
manson
back to h-ll, the resurrection of fred hampton
you can tell by the way your sh-t swelled and lump up
whenever punks jump up
they get down, for thinking they bone creeping on a
come up
now i got one up, but we much more than crabs in
apparel
or f-gs who rap about apparel with an outlook that’s
mad narrow
we civilized, so on the microphone we vilify
for proving that the n-gg-z with skills is still alive
(still alive) (still alive) (still alive)
[shabaam shadeeq]
aiyyo, freak that, i’m leavin rappers hangin like
kiddybacks
or hats on coat racks, i’m rough like porcupine backs
smack the emcees that lack, but, yo, they knew that
like the flute blew through that, with nothing but
facts
deejays cut the wax, snare sharp like ax
mic acrobatics and writing the star static
from bas-m-nt to attic, get smacked, act dramatic
i had it with some of these fake rhyming -ss f-ggots
who shabaam shadeeq they -ss, make it blast
stone for cast, whiplash like car crash, black flag
for emcees that multiply, act bad, make you thinkin
your rhyme bad
got all the skills you wish you had, dreams you had
scorch that -ss and make you take the words back
to the foundation of that whack verse creation
double s, who wan’ test? smash your face in
[building block]
yeah, yo, yo; my shops cop ?more neath?
things in caster rock
and get you open with the combination, like master lock
let it be known, that none could ever p-ss the block
and when the spot get blown, i hit you with the ?yeah,
first shot?
traffic stop when i’m jammin, cause i got more back
than gammon
slammin those that oppose my flow like salmon
foes be standing clear, cause, yo, they can’t compare
the only thing that could hang in hear is a chandelier
this man could care less what them say, kick it like
sensai
then stay, on your mind like ash on a wednesday
he at a loss style, got no cause to smile
i toss that -ss all across, kinda like a foster child
[mr. metaphor]
it’s mr. metaphor, everybody gather round
live in stereo sound and very profound
deeper than a burial ground, i’m aerial bound and
shuttin
comped down as i rock like charles dutton
from gangster putnam i cut em from every angle
far from a square cause i wreck when i tangle
minds i mangle, mic’s i strangle in advance
in every circ-mstance i leave you shook like turbulence
you’ll never get this, i’m up in that -ss like a
tet-n-s
?master these? rhymes and drop more lines than tetris
i’m sicker than asbestos, spraying rhymes like
aspesticides
best to step aside, realize who the best is
[lilscienz]
one two, one two
the scienz of life, we ?x? to new jeru
one two, one two
yeah, the scienz of life, we ?x? to new jeru
yo, let’s go back like ?gilda masheviks?
with phat challenging methods
the rhythm stays energetic
the pen’s motions kinetic
see heaven sent styles, bless the ears of my peers
even older heads get contacted
from bomb tactic
exploding in your nearest tabernacle, holy like kadesh
htm, bow lyricists
you feel it in your chest son, like that nine ether
sound right, reasin em, pleasin em through the speaker
for years and years mad heads doubted me
then i changed hiphop, into new-op, its best described
as alchemy
the scientist, applying this throughout the global
i stays universal with the vocal
attracting your focal points with each joint performed
at live shows
while lilsci’ verbally fly with dime flows
my mind grows, being divine, strolls, by the master
one verse could cause cataclysmic disaster
but the truth hurts to be murder with spoken words
profound sound all in your section
no question
the scienz of life, don’t confuse it
aiyyo if it don’t sound right than it ain’t music
-indistinct chatter by emcees overlapped by security
guard saying:-
alright, alright fellas, fellas, fellas, fellas, hold
on, hold on,
hold up a second
you guys, you guys can’t be making this noise
with the music and everything.(aw, come on!)
you gotta leave this area.i gotta clear this spot.
(we gotta go inside right now) so get on line.(we got
tickets)
so get on line (we got tickets)
alright, alright, you gonna get, you got tickets
so get on line, and get out of this area.
the line is over there.(we were just doing our thing)
its all good, its all good.get on line, alright.
(whatever, whatever) little youngsters.

- talib kweli lyrics

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